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DTEND;TZID="W. Europe Standard Time":20161121T220000
UID:69f3ae85d966f
DTSTAMP:20260430T213325
LOCATION:Oberer Kirchenweg 1\, 82131 Gauting
DESCRIPTION:Die Gr&uuml\;ndung dieses Klaviertrios\, 2009 vom Duo Shaham-Erez und dem weltber&uuml\;hmten Cellisten Raphael Wallfisch\, f&uuml\;hrte sofort zum internationalen Erfolg: Sie sind regelm&auml\;&szlig\;ig zu Gast im Concertgebouw Amsterdam und der Wigmore Hall London und ihre drei CD-Aufnahmen wurden von der internationalen Presse total begeistert empfangen. \n
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HAGAI SHAHAM Violine\n
ARNON EREZ Klavier\n
RAPHAEL WALLFISCH Violoncello\n
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19.00 Uhr Konzerteinf&uuml\;hrung durch den Kulturjournalisten Reinhard Palmer\n
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Programm:\n
RACHMANINOW Trio Elegiac (1892)\n
ARENSKY Klaviertrio Nr. 1 d-Moll op. 32\n
BRAHMS Klaviertrio Nr. 2 C-Dur op. 87\n
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Pressestimmen:\n
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Full-blooded music making from a streamlined ensemble
&rdquo\;&hellip\; they never get in the music&rsquo\;s way. It flows out of them unimpeded\, as if balancing a piano trio were the easiest thing in the world\, which goodness knows it is not&hellip\; These performers evoke musical values that today are beginning to seem &ldquo\;old school&rdquo\;\, yet are as sterling solid as ever. Erez is the most self-effacing of virtuosi\, delivering glitter and dazzle&hellip\; his tone always singing and tanslucent. Shaham&rsquo\;s sound recalls the great violinists of the mid 20thcentury: rich and gorgeous\, yet never sugary\, his use of portamenti judiciously applied. Wallfisch&rsquo\;s cello seems virtually an extension of himself as he blends into vivid musical conversations or briefly takes centre stage to bowl out the big tunes&hellip\; Notable qualities that leapt out of this performance included the choice of contrasting palettes&hellip\; Erez&rsquo\;s piano tone turned utterly luminous\, as if by magic.&rdquo\;&nbsp\;The Arts Desk\, Jessica Duchen\, 21 January 2016
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First rate music making from the Trio Shaham Erez Wallfisch

&rdquo\;&hellip\; rich\, expressive intensity&hellip\;Wallfisch played with exquisite beauty of tone&hellip\; Shaham gave us some gorgeous sustained melodies while Erez brought lovely Romantic colouring to the piano writing&hellip\; Shaham dispatched some of the virtuoso passagework with aplomb.&nbsp\;The players were as one in their approach to the various shifts of mood and tempo&hellip\; their thrilling rendition of the coda&hellip\; Erez excelled in Rachmaninov&rsquo\;s swirling virtuoso passagework\, ensuring the string players were never overwhelmed and the balance of sound remained excellent throughout&hellip\; There was an ease and fluency in the way all three players approached the constantly evolving thematic material&hellip\;&nbsp\;I particularly enjoyed the striking double stopping of the string players and the tenderness and lyricism &hellip\; a terse energy and exceptionally clear and tight articulation&hellip\; the performers brought a spontaneity and freshness to the music with the inventive nature of the material really shining through. Overall\, this was an evening of first rate music making and the performances of the Arensky and Brahms trios were exceptionally fine.&rdquo\;&nbsp\;Seen and Heard International\, Robert Beattie\, 23 January 2016

URL;VALUE=URI:https://bosco-gauting.de/veranstaltungen/trio-shaham-erez-wallfisch-rachmaninow-arenski-brahms
SUMMARY:Trio Shaham\, Erez\, Wallfisch Rachmaninow\, Arenski\, Brahms // Bosco Gauting
DTSTART;TZID="W. Europe Standard Time":20161121T200000
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